Matthew Anderson – The New York Times (UK)ģ. Persepolis (Vincent Paronnaud and Marjane Satrapi, 2007)ġ0. The Return of the Prodigal Son (Youssef Chahine, 1976)Ħ. ![]() Ola Alsheikh – Film critic (Palestinian territories)Ĥ. City of God (Fernando Meirelles and Kátia Lund, 2002)ġ0. The Little Girl Who Sold the Sun (Djibril Diop Mambéty, 1999)ĩ. Battleship Potemkin (Sergei M Eisenstein, 1925)ħ. Children of Heaven (Majid Majidi, 1997)Ĥ. La Dolce Vita (Federico Fellini, 1960)ġ0. The Young and the Damned (Luis Buñuel, 1950)ĩ. The 400 Blows (François Truffaut, 1959)Ĩ. In the Mood for Love (Wong Kar-wai, 2000)Ģ. The Discreet Charm of the Bourgeoisie (Luis Buñuel, 1972)ġ. The Seventh Seal (Ingmar Bergman, 1957)ġ0. The Rules of the Game (Jean Renoir, 1939)ģ. L’Eclisse (Michelangelo Antonioni, 1962)Ģ. The Rules of the Game (Jean Renoir, 1939)Ħ. Any ties remaining after this were split by first place votes: films with more critics placing them at number one ranked higher.Ĥ. We split ties by the total number of votes: films with more votes ranked higher. ![]() ![]() We awarded 10 points per first ranked film, 9 per second ranked film, and so on down to 1. Each critic voted for 10 films, ranking them 1 (favourite) to 10 (10th favourite). We approached hundreds of film experts - critics, industry figures, academics - and 209 from 43 countries responded by filling in an online poll in August and September 2018.
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